Tatiana Maslany plunges new depths as Sarah’s fear envelops her entire body. Sarah shakes uncontrollably, face contorting with disbelief and horror. After trying all throughout the episode to get ahead of her enemies, this is the moment where Sarah has to face up to her own demons, to the dark part she’s been hiding from herself all along. Helena creeping up to her in that white dress while Sarah stands as a column of black isn’t the most subtle symbolism the show’s done, but it’s hard to deny its power. Even aside from the astounding technical feat, the weight of this moment is almost crushing. Here are two women facing each other, the awful things they’ve done, and the horrific things that have happened to them—and finally letting themselves feel it all. Sarah looks into the face of a woman she killed; Helena looks into herself, and realizes something precious has been stolen from her. And so Helena folds herself onto her sobbing sister, and they stand there together as the hunter and hunted, victim and victor, predator and prey. They’re in hell—and there’s no telling when they’ll get out. (x)

(Source: angryangells)

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i know who you really are

(Source: dianameades)

nine days of brooklyn nine-nine day 3: favorite male character: Terry Jeffords
"He’s so strong but so gentle. He’s like an enormous, muscular Ellen DeGeneres."

(Source: c-mines)

None of us has made a new friend in like 11 years.

(Source: tawdry-hepburn)

best lines in a long way down

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